I don’t believe there are creative people.I believe there are people who show up. Creativity, for me, has never been a personality trait or a lightning strike. It’s a discipline. Something closer to exercise than inspiration. You don’t wait until you feel strong to move your body. You move your body so strength remains possible. I’ve always treated creativity like it was my career, even before it was visible as one. I started in graphic design and marketing, where creativity lived inside constraints. Briefs, timelines, systems, outcomes. Strategy and aesthetics...
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There’s a strange quiet that follows a collection. The lights come down, the audience disperses, garments return to their racks, and suddenly the work no longer belongs solely to you. It begins to move through conversations, photographs, and interpretations you can’t fully control. That is often when you understand how a project has truly landed. When I presented this collection, Vintage 2025, a runway and exhibition project developed and presented in Griffith, NSW, I was conscious of how deeply it was shaped by place, by people, histories, and ways of...
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Vintage 2025 took place on Wiradjuri Country — land that holds deep, ongoing stories of culture, care, and connection. We acknowledge the Traditional Custodians of this land, and pay our respects to Elders past, present and emerging. This project is about legacy — and we recognise that First Nations people have been telling stories through place, language, and craft since the beginning. Always was, always will be.
We create with intent — honouring slow design and mindful making.
